Tag Archives: writing

The Silent Pen

Writer Page Finished

 

 

 

Not forgotten;
Ignored.
Six years set aside.
So many words unspoken,
Forgotten;
Each a message undelivered,
Never missed.  Inkwell Tiny

Once upon a time
Ev’ry thought held down by ink.
Thought birthing thought,
Captured,
Shared –
And filed away.  Inkwell Tiny

Now, unwritten essays
Recognized,
The psalmist cries my tears;
My praises sings.
No loss today
The thoughts I had
Yet did not give
My silent pen.  Inkwell Tiny

Plain recognition
Of who I am,
Standing,
Kneeling,
Before the Infinite One.
Love
Unspoken,
Unrecorded,
Is enough.
Praying Hands Glow

 

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Shadowchild

End Feather

 

Writing is an odd world of contradictions.

Three months ago I decided not to write. It was not a writing issue. It was a life and death issue. There was no food in the house.

I might have gone to the grocery store and solved the problem there, if not for the ten family members coming to spend the month with us. For three months, I shopped, cooked, drove children here and there, helped pack and unpack suitcases, traveled to Tennessee, and taught math workshops. We survived. And I survived.

I quit writing, and I survived. If you had asked me in April, “What would you do if you couldn’t write?” I would have told you, “Die.” I would have killed myself to prove the point. But here I am, a survivor…alive…not having written a paragraph in three months.

Unexpected things happen when you’re working to survive. For one solid year I wrote up a storm, Praying Hands BW Dotsa literal storm. I wrote about family, being lonely, about writing, and about God. Some of my best pieces were prayers to God, extended prayers of supplication, God, make me a writer, and make me a humble writer. I really meant the humble part. I had a serious tendency to think I was hot stuff, and it seemed dangerous to let this flaw go untethered, wreaking havoc on planet Earth. God could fix it.

He succeeded. So much so, that as I sit here at the computer, I am held back from typing by the realization that everything worth saying was said 2,000 years ago. And who’s listening? What do I have to say? How could I ever add to the life of a perfect man who chose to go to the cross as a love gift for me and all of mankind?

I’ve got things to write. But more than that, God seems to point me toward things to do. I have difficulty thinking any page of words will accomplish more than what I can do with my two hands on a Saturday afternoon at a food kitchen.

I reach out to writers of influence hoping to catch the power of their words. King David in his 23rd Psalm 23Psalm has given courage and comfort to countless men and women. Matthew, Mark, Luke, and John each preserved the life of Jesus and sealed the witness of the apostles who gave their lives for me. Paul carried God’s offer of reconciliation and His promise of salvation down thousands of miles of dusty roads, leaving behind his enduring words of encouragement and exhortation.

I sit in awe of the power and majesty contained in the words of believers in Christ. Bonheiffer, John Henry Jowett, St. Francis of Assisi, Thomas a Kempis, Fulton Sheen, Basilea Schlink, Mother Teresa. These are the lives of Mother Teresa 1people who have earned the right to speak in words. Because their actions speak louder.

Here I sit, a whiney, demanding, lazy, cowardly believer, my belly full, cooled by refrigeration, and my day secure enough for me to dawdle at the keyboard. What can I possibly write of significance?

God has definitely whittled me down to size. Now, with time on my hands to write, I struggle to think of an idea worthy of His confidence. In May, I wanted to write the book that would reach millions, the words that would explain the depth of God’s love with such persuasion that atheists would stop in their tracks and look up to the sky with an open heart. I wanted to write for world peace. Cure social injustice. Give loving homes to tiny babies before anyone could abort them.

Several months later in August, I shake my head at my audacity. I laugh at my pathetic ego. I cringe in embarrassment, afraid to read any of my essays written in headier days. What can I possibly write? How can I hope to touch the heart of one human being, when I’m painfully aware of my own need for improvement?

I prayed, God make me a writer, make me a humble writer. He has succeeded. And now the humility is so complete, I sit immobilized, afraid to be a writer, ever.

While the hopelessness of the situation grows, I stare through the computer screen, through the lamp’s reflection behind the words on the glossy white, past the bits and bytes inside the monitor, Shadow Personand out through the wall of the office into space. If I hold that thought and close my eyes, I can barely make out the shadow of one person. And, looking closely, I can just make out the empty space in their chest where a heart should be, a hole, a hurt that explains the droop of their shoulders and the quiet splash of a tear at their feet. Don’t leave Shadowchild. I think I share your pain. If you will be patient with me, perhaps I can write an honest thought with enough clarity so that you will recognize yourself in me. If we sit together and read a true and loving line, perhaps we can fill our own eHeart Treempty space with the love of the other, and maybe together we can reach out to pull just one more shadowchild into our circle.

If God approves, I think I could write to at least one person. That’s the least I can hope for. And the most.

 

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THE WRITER’S LIFE
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September

For over one year, I frantically pushed groceries and children in and out of the car and house, trying to squeeze writing minutes out of each passing day. If someone asked me why we were out of milk, I counted to ten several times and promised sweetly to buy some tomorrow, all the while squinting my eyes and wanting to shout, “Go find a cow and get it yourself!”

When I could grab precious minutes and push children away from the computer, I literally hurled myself at the keyboard, pounding keys and making sentences, certain the flood of words tumbling out of my pent-up mind would call aloud as they inched out of the printer, bringing themselves to someone’s attention. Words pulsated on the page. I waited for a passerby to glance at one single word, for even one person to get caught in the literary genius of my imagination and grab every page strewn across the desk, devouring my brilliance. They didn’t. Instead, teenagers leaned from the hallway into the office. “Are you at the computer again? You’re always typing! Did you know we’re out of peanut butter, too?”

My one solace was my weekly writing group. Each Tuesday, I gathered all the hard-won pages and brought them to my friends for critiquing. Six pairs of experienced eyes poured over the stack of printed pages I passed around. They gave serious attention to all aspects of my writing: commas, topic sentences, allusions, and meaning. But it became clear as the year progressed that, while the paragraphs on one given page seemed to mostly hang together in an almost coherent idea, the pages from any particular week had absolutely no connection with the pages of the week before or the week to come. In the kindest, most optimistic critic’s mind, it would seem I was writing ten different novels, jumping from the introduction of a book on loneliness to the middle of a family memoir, to a devotional on gardening, and on to a ranting political treatise on the evolution of the modern world. Everyone around the critiquing table always smiled encouragingly at me, if only because the slightly manic sparks shooting from my eyes suggested I might blow up the western hemisphere if pushed too hard.

My writer friends preserved world peace by bolstering up my wilted psyche, my husband went to the grocery for milk and peanut butter, and my son learned to cook French toast, fried eggs, pancakes, toast, and cold cereal—depending on the contents of the refrigerator.

This was our average, normal life.

Slowly, as the school year played out, May began to loom large and threatening. As I tore April off the calendar and began to cross out the early days of May, I couldn’t help but notice the coming winds of a hurricane. Jamie was coming home from college on May 6th, moving all of her belongings, her clothes, an apartment fridge, stereo system, television, rolling plastic drawers, trunk and more clothes into her small 8 by 10 foot bedroom, right across the hall from the office and my writer’s desk.

And the hurricane settled in to stay. Vic’s sister and her two kids arrived from North Carolina. We stuffed the kitchen with food for family parties, one gathering after the next. We partied, ate, did laundry and packed the van. And finally, somewhere on highway 18, heading into the Rocky Mountains on our way to a wedding in Colorado, it dawned on me that I’d have to either murder my own family and all of their nieces, nephews, aunts and uncles, or I’d have to postpone writing the History of the World According to Jane. A small shrug settled it. I lifted my shoulders, looked up into the Colorado mountains, following their peaks into the clouds and said, “September.” And I let out a small sigh.

Small miracles do happen. Mom surrendered. And we survived. There is life after the end of writing.

In Colorado, we laughed and cried as two ‘youngsters’ promised to love and cherish each other until death, and then our entire extended family plus two more returned home to Arizona. Our house again filled with guests; I remembered I did know how to cook. My children were amazed when we had completely new and different home-cooked dinners five nights in a row. We stopped going to restaurants. And we didn’t starve. We never ran out of clean clothes, we learned how to talk and tell stories. Jamie found crayons in the bottom of the closet, and she drew pictures with cousin Katie at the dining room table. Justin and his cousin Shayne went swimming at the community pool. Vic and I actually saw two theater movies. Two. Both movies in the same year! I didn’t write one sentence. And the world survived.

Whenever my writer’s panic set in, whenever I looked too far ahead into the summer calendar, I closed my eyes. September. The syllables developed their own rhythm. Sept—em—ber, Sept, Sept, Sept—em—ber. If I repeated the mantra, it reminded me I was only responsible for one little thing each day. Each morning, I opened my eyes, rose from bed, and walked to the calendar. If today the calendar said, Party, then we partied. Tomorrow didn’t exist. Only today. And September. Sept—em—ber.

One day at a time, we made it from May to June to July. I taught a workshop in Tennessee. I visited Tennessee relatives and picked black-eyed peas. As I stepped off the returning airplane, Jamie grabbed my navy blue duffel bag on wheels for her travel to Spain. Justin spent July in Mississippi. I wrote checks to keep the water and utilities turned on. We never ran out of peanut butter, and we had a steady supply of three kinds of milk, providing for the various gradations of fat content required by our household crowd: people afraid of gaining weight if they say fat out loud and children who burn thousands of fat gram calories when poking each other in the ribs.  And I continued to walk around several piles of college linens and one gargantuan cardboard box filled with college dorm decorations, all of them blocking the path to the computer.

As we moved into August, anticipating the return of school, an amazing thought occurred to me. No anxious editor had called me during the summer to plead that I get back to writing. Neither had Newsweek magazine cut its “My Turn” feature for lack of receiving Jane’s 1000 urgent words about world peace. Oprah Winfrey seemed to have a new show each day…without me…or my latest book. The Tribune newspaper called us 23 times during the summer begging us to renew our subscription. They didn’t call once to ask why I had stopped e-mailing them my incisive, to-the-point, letters and editorials. Marriages were breaking and healing, self-helped with John Gray and his Venus/Mars analysis. Not one bookstore cleared a spot on the shelf and set out a sign, “This spot is reserved for the upcoming best-selling book from the new and promising author, Jane Noesitawl.” President Clinton saved himself, and he didn’t follow one piece of advice I offered. Amazing.

September. It’s 14 days away,…and counting. The stock market leaps up and crashes down, Y2K is four months away, six Republican presidential candidates are slugging it out in Iowa, Al and Tipper Gore are working to convince us they have personalities and priorities, Christians are trying to rescue African children from the slave market, and the water heater is broken. I sit unmolested at the computer, but I can’t think of one way to prevent a worldwide financial meltdown on January 1, I won’t be able to vote for the President I want because my man will never make it through the political gauntlet for nomination, Jamie’s safety in Spain for the next year cannot be secured by Vic and me in Arizona, and even if I could buy one child out of slavery, it would only reward and encourage the evildoers to capture another.

What’s left for this writer to do? I do know the pork chops are thawed. That may be enough to save my own marriage, but it certainly won’t cut into the sales of Mars and Venus by Mr. John Gray, Ph.D. And I don’t really want to be on Oprah. More than anything, I appreciate knowing I can make a peanut butter and wash it down with a large glass of cold milk, full fat. This is certainly not the type of attitude that will fill a three-book contract and sell as a mini-series.

Time to close my eyes. Sept—em—ber.

 

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THE WRITER’S LIFE
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Copyright 2013.   All Rights Reserved.

Planning to Be Inspired

Lately, as I write, I feel the effects of my decision to get organized and dressed in the morning as part of the writing process.  For years I celebrated the impulsive, emotional, inspirational quality of writing…flinging myself at the computer in my pajamas, my hair stuck out wherever the pillow had pushed it in the night before.  While the impulsive passion to write was wild and wonderful, it was also just a bit too crazy.

Writing had become one hundred percent emotional outburst.  At odd moments of the day, words had to be contained inside my mind, building up pressure, because I had no desire to discipline my writing to fit into the times of the day, the later moments, the planned afternoons when I was dressed and subject to organization.

If I couldn’t write a burst of words in the early morning, then the day was useless for writing.  Once errands called me to buy groceries, pick up Justin from school, or deliver tax forms to the accountant, then all the “fun” of inspiration evaporated. Afternoon writing was only good for letters, notes and lists of tomorrow’s errands and duties.

When morning writing was interrupted or delayed, I collected the words inside my head, hoping that tomorrow, while still in my pajamas, before anyone could mess with my mad inspiration, I would be able to run to the computer for just a little “work” and pour them out all over the page.

I had confused my own madness with God’s inspiration.  Funny.  Now that I insist on eating breakfast, applying makeup, and dressing before I walk to the office and boot up, I am hugely surprised to realize that God can still use me.

Better still, perhaps He can make better use of me because I am willing to submit to the quiet of the moment as I sit, planning to write, whether I “feel” emotionally free – or not.

My passions may feel cool now in my first minutes in the office, but I have finally made room for God’s passions.  Where my mind is empty and dry, I trust anyway.  I close my eyes and lay my fingers on the keys in trust.

And where my mind is quiet…my fingers dance and pull out thoughts I never knew I had.

 

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THE WRITER’S LIFE
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Copyright 2013.  All Rights Reserved.

Coming Into Focus

It’s fun to read other writers’ thoughts about writing.  Loula Grace Erdman, describing her life as a writer, helps me accept my own idiosyncrasies.  She reinforces my decision to back away from the Christian writer’s conference.

I know I can write short stories that will sell.  It’s just that what I want to say won’t fit inside a short story.  And it can’t be “felt” with the proper passion if I have to mimic a non-fiction narrative style that resembles a Walter Cronkite newscast.  Life is poetry.  I don’t want my life to end up as a newspaper account next to an advertisement for denture cream.

I know I could write my own story about the Cox cable programming debacle.  But it’s definitely more satisfying to feed my information to Tamara Dietrich at The Tribune.  While she busies herself as a reporter tackling the details, I can turn my back on The Tribune and write my own escapades and ruminations.  Truthfully?  I rather enjoy anticipating how Tamara will weave the details of the Cox story together…guessing whether I will come off as a nosy busybody or a valiant Jenny-on-the-spot citizen.

Each writer has her own place in history.  What does publishing have to do with writing anyway?  I hear others explain how much they want to be published.  They envision fame garnished with fat royalty checks.  I am a stranger in their world.  I don’t want to publish.  I want to communicate.  I want to share.  I have something to say.  And publishing has nothing to do with that.

Writing experts say there are too many writers focused on publishing.  I say there are too few writers focused on the message.  When I run out of message, then I’m finished with writing…no matter how well I can craft a sentence.

 

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THE WRITER’S LIFE
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Copyright 2013.  All Rights Reserved.

I Am?

Cecil Murphy stood up for his address to the American Christian Writer’s conference. “I’m a writer!” he exclaimed with a wide grin.  “O.K.  It’s your turn.  You have to believe it.  Say it loudly, with confidence, all together now.”

Voices became one, in loud unison, a believing audience declared, “I’m a writer!”  But my own lips refused to move, my vocal chords quivered.  I sat alone in the crowd and wondered, “Will I ever be able to join the chorus?”

I’ve always been in love with the written word.  A faithful Carolyn Keene fan, I followed each Nancy Drew escapade.  It was thrills galore to find Nancy Drew mysteries I hadn’t yet read for ten cents in the Salvation Army thrift shop.

In school I wrote passable book reports and term papers.   This meant, of course, I got good grades.  But today, the only evidence I have of any early writing is a poem I wrote in seventh grade.  It marches in dependable but not very interesting rhythm, twenty four lines composed late the night Kennedy was shot.  My teacher read it to the class the next day, and I felt honored.  I never wrote poetry after that.

Raised on books as a child, it was a shock to marry someone who doesn’t like bookcases.  I’ve had to find a variety of ways to space books throughout the house, pleasing both Vic and me.  On our coffee table sets a special book my Mother kept in her own living room, Leaves of Gold, a comforting collection of poems, sayings, and observations by wise people, possibly the forerunner of today’s plethora of inspirational collections.  It’s the only book I brought from Mother’s wall-length bookcases after she died.

Last week, I discovered why I claimed Leaves of Gold alone out of the hundreds of other books.  Cleaning a hidden bookshelf in my own office closet, I pulled out an old forgotten notebook, brightly hand-painted in shiny turquoise and covered with red acrylic flowers.  Back in high school I had designed this my personal Thought Book to hold clippings of wisdom, words to songs, poems, and cartoons, all special to me back then for one reason or another.  I carried my Thought Book into the living room and set it on the coffee table next to Mother’s Leaves of Gold.

It’s not surprising, then, that I became an English teacher.  I wanted to live in the world of words.  From my first day as a teacher, I insisted all my students keep journals, a new educational technique just in vogue.  It would be good for them. It also gave me a method of trying to relate to and understand them.  For ‘their own good,’ I kept my own journal in class right along with the students, setting an example, practicing what I preached.  Some students enjoyed writing, but most of them dutifully counted up to the required fiftieth word, slammed their journal closed, and waited for the five-minute timer to ring. What was wrong with them?  Five minutes was barely enough time to get started.

Students struggled to know what to write about, and I struggled to make it easy for them.  How could I explain how easy it was to find something to write about?  It wasn’t really writing.  It was thinking.  For me, it was time to myself.  Peace.  Quiet.  A connection to my own thoughts away from the intrusion of others.  If only I could help students discover that special peacefulness.

After three years at a junior high school, I realized I wasn’t as successful at teaching as I had hoped.  So, I became a real estate sales agent.  However, unhappy in a job where words only appeared on purchase contracts and loan applications, I took up photography.  Reality struck with lightning speed.  Unless I could get hired by National Geographic really fast, I would miss my next house payment.

Good luck gave me the perfect reason to quit my dead-end job at a photography lab; I was pregnant.  As I waited to become a mother, I enrolled at the university.  My entire life had focused on words; this seemed to be a good time for a change.  One semester later, exchanging words for numbers, I left the university prepared to be an accountant.

After the birth of daughter Jamie, I opened a small bookkeeping business at home. I spent days recording numbers, counting and calculating, looking for missing pennies and printing off pages of reports to show why the hair stylist made a profit and why the construction contractor would soon be bankrupt.  Accounting was fun.  I met interesting people and earned enough money to pay bills and buy my first computer.  There was security in working with numbers.  Numbers lived in a world of structure.  They ordered themselves.  I was just their supervisor.  Numbers didn’t talk back.

But on light days, when work was slow, I would change the computer from accounting to word processing. I worked with numbers, but I played with words.

Being Mother and accountant suited our family life just fine.  I could be my own boss, stay home if the kids needed me, and earn a decent living.  Yet, eventually, tired of the isolation of working alone and bored with numbers that looked the same from day to day, the world of teaching beckoned me once again.  Numbers were fine, but words were better.

It was exciting to be back in the classroom.  Words expanded the brain, brought an explosion of thoughts, and created stimulating conversations and dialogue.  I assigned students journals, of course.  For eight years I responded to students in their journals, read shelves of teen literature, listened to student book conferences, and struggled again to be a good teacher.  Slowly, though, I came to accept a dawning truth.

As a teacher, English came naturally.  It was the kids who challenged me, not because they were bad, but because their needs never seemed to coincide with my desires.  I had managed to become a competent teacher who enjoyed kids, but thankfully for all concerned, life’s difficulties led me away from the classroom for the final time.  I brought memories, friendships, and books home with me.  I brought home my journal, too.

Without a paycheck today, I have no official identity.  This can be disconcerting for someone who’s had a new “career” every five years.  I’m still wife and mother.  I’m family photographer and accountant, too.  Gardener, gopher, grocery shopper, seamstress, church choir member, cook, laundress, all are duties I rush through in hopes of having an hour or two at the typewriter in my journal.

Fingers flying about on computer keys, an English teacher gone mad, I ignore form for substance, throwing periods and commas to the wind.  Capital letters are formed by excitement, not by rules.  I write words, phrases, stories, anything that feels good, a jumble of Jane on paper.

Who am I?  Are you asking me, Cecil Murphy?  Do I have to figure it out?  But a writer, no, not that.  Not I.

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A WRITER’S LIFE
TABLE OF CONTENTS

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Goals

March, 2000

My writing goals are all set.  Yesterday at our regular Tuesday editing meeting, everyone seemed overwhelmed by my goals as I set them in the middle of the table for people to review.

This morning I understand their wide eyes.

One week after drafting the goals, as I sit and review them to guide today’s work, my stomach churns, my lungs hold still, and my brain goes numb!  Two articles?  This week?  Along with two queries to magazine editors and all the rest?  What was I thinking last week?  Today, if I write even one paragraph, I’ll be lucky.  How did I ever get the nerve to make such a bold plan?

Then, settling into the challenge, I sit at the desk pouring through the stack of note cards I made last week, one for each of the different chapters of the different books surrounding me in piles on the filing area arranged on the floor.  Fifty note cards.  Last week I was filled with nerve.  I had no time to write, but plenty of time to imagine.  And I imagined what a writer could do with notebooks filled with chapters and articles, none of which have ever seen the light of day.  Well, she could submit them, of course.  And I imagined a writer sitting down, giving serious attention to the task at hand, opening the Writer’s Guide, picking out a suitable market for an article, printing off four pages of double-spaced, and folding it into an envelope.

I imagined what a writer could do with reams of journal pages filled with article ideas, all sorts of silent articles, silent because she had never asked one single editor if he thought these brilliant ideas might work out for his magazine.

And I imagined a writer, after a stiff cup of coffee, outlining a great article and thinking of one lousy little sentence to tell exactly how exciting the idea would look on page 32 of Perfect Magazine if the editor would only say yes.  One lousy, little one-page letter, one envelope, one SASE, and one stamp.

And if, reviving my visions born of idle courage last week, if I believed my imagination and gathered my nerve, if I poured just one more cup of coffee…well…then, today I think I could really have one lousy little envelope ready to mail, laid by the door, and almost on its way to the post office before the end of the day, before Victor walks in the front door tonight, home from work, asking, “What did you do today?”

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Copyright 2013.   All Rights Reserved.

 

Ghost Book

I have come to think of Naked Comes the Writer as my ghost book.  It seems to follow me in  silence, peeking over my shoulder, commenting on each thought as it appears in my brain, mocking me, consoling me, and pushing me on.

How odd to be writing a book about writing, when it seems like my word count about writing is ten-fold the word count of my real writing.  I can actually hear the laughs of editors around the world.  “She’s writing a book about writing?  Now, that’s a scream.  Who is she anyway?  Ever been in The Journal?  The New Yorker?  Well, just what can a whiny, lonesome, short lady tell us about writing when she’s never been published?”

Well, I can tell them one thing.  Writing is about the most self-indulgent, prideful, egotistical, intoxicating, trance-inducing fixation a person can ever take up.  But just so’s we can hang onto our drug of choice, we have all sorts of ways of justifying it.  We call it inspiring, entertaining, cautionary, thought-provoking, or freedom-saving.  But all in all, it’s just our personal way of seeking stories to pin our pride and ego onto, sending them out into the world and waiting for someone to write back and tell us how wonderful we are.

I actually believe the best time to write about writing is before we have the chance to send our writing out. That’s when the “game” feels most real.  You stand at the top of a 100-foot platform, rise on your tippy toes, and then bend down, gathering your muscles into one final burst of strength, springing up into the air and outward, arms arcing over your head into the first graceful moments of physical beauty.  And that’s when you look down and notice someone’s drained the water from the pool.

Now, high in mid-air, they want to tell you should never have jumped to begin with.  Who are you to think you’re a writer?  I mean, look at that form, all wobbly and scared, and insecure.  If we had believed there was any chance you would be able to dive, they say from below, we would have put water in the pool.  But, hey, why waste good water?  You would never have left the tower, if you’d known what’s good for you.

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Lint

Typewriter Mess

A morning…wasted…trying to come up with the perfect intro to my article on getting your precious work critiqued by other writers.  I so want my reader to feel the life of the writer, a quiet, introspective life filled with the fears of lions and tigers and bears.  But how do you get the safari hunter to understand the treachery lying behind one misplaced word?  I couldn’t figure it out.  And I think the reason things weren’t going well was the lint on the carpet.  I kept looking down, thinking, and seeing little flecks of white threads, rice, and dust.  Big clumps of dust.  And they were stopping the flow of my creative juices.

I turned away from the keyboard, “Guess I’ll have to vacuum.”  As I pushed and pulled the Eureka down the hallway, I continued to mentally work out my idea.  Maybe I could compare critiques of my work to going to my high school reunion in a white knit top and Jean skirt, only to find that it was a semi-formal evening.  There is definitely no way to hide my white knit in a room sparkling in shiny black lame and sequins.  This indignity at least served to memorialize myself as the first Arcadia High School girl to “drop out” of Delta, the prestigious everybody-wants-to-be-asked-to-join club of cheerleaders and their friends.  I still liked the Delta Girls.  I just knew I wasn’t one of them.  I was a white knit kid, even back then.

And that makes a pretty good story, except that as I pushed the vacuum under the chair, I realized it didn’t really explain satisfactorily why writers simply hate to have other writers read their work.  Oh, sure, I could add a few transitions and use key words like “this is just like”…but it was not going to change the fact that I was trying to force a good story and a good idea into a bad marriage.

Pushing the vacuum into the living room, I contemplated the common human experience of telling a joke that goes flat.  I could explain how this is just like having a story you just wrote go thud in the hands of six people writing critical suggestions in the margins.  I could describe a stack of six manuscripts, precious piles of papers held by paper clips…passing them out to fellow writers around the table and asking them, “What do you think?  Go ahead.  Read.  And tell me what you think.”  And I could work really hard to explain what that feels like.  It’s just like telling a dumb joke in front of an audience.

But the trouble is that telling a dumb joke can sometimes be funny in itself.  I mean, not if you’re Billy Crystal at the Oscars, or even Master of Ceremonies at the company’s annual convention.  But when you’re with friends, and you tell a bad joke, usually they’re nice enough to laugh at the funniness of how bad the joke was and forgive you.  And that never happens when you ask other writers to read your work.

I was in danger of running out of carpet lint, vacuuming my way around the house twice and not having any good idea…until…. In the television room, between the futon and the stereo system, pushing the pillows back against the wall, I glanced sideways and caught my reflection in the dark TV screen.  And I have no idea why at that particular moment my reflection made me think back to my high school speech class, with me standing in front of a room full of juniors, my papers and notes fluttering in my hands.

It’s just that writing is like that.  It’s planning, mulling, trying on and putting off, and starting and stopping, and getting rid of the lint, and then all at once when your human energy is all spent, a miracle occurs.  Someone reaches into your mind and says, “Here, try this one.”  And even if the lint is still there, you don’t see it anymore.  End Scroll

 

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THE WRITER’S LIFE
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